Doris Salcedo Deserves Better Than Her Current Fondation Beyeler Survey
The Colombian artist's first museum show in Switzerland prizes the past over her present.
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Basel Reviews
Shahryar Nashat
Geneva-born, Los Angeles– and Berlin-based artist Shahryar Nashat's exhibition "The Cold Horizontals" centered on a visually seductive eighteen-minute video shown on loop across eight abutting…
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Lynette Yiadom-Boakye
Since the British-Ghanaian artist Lynette Yiadom-Boakye (b. 1977) completed her studies at the Royal Academy Schools in London in 2003, her reputation as a talented painter of fictional portraits (she…
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Lin May Saeed
Lin May Saeed (b. 1973) is as much an animal rights advocate as an artist. Despite the progressive perspectives put forth by scholars like Donna Haraway in her book Companion Species Manifesto: Dogs…
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John Wood and Paul Harrison
Since 1993, British artists John Wood and Paul Harrison (b. 1969 and 1966, respectively) have been making collaborative work that searches for poetry in the prosaic. Their exhibition at von Bartha, "S…
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Martin Boyce
Martin Boyce won the Turner Prize with the installation Do Words Have Voices (2011), which was featured in this Basel exhibition, his first solo museum show. Comprising ventilation grills, a…
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Paul Chan
Paul Chan's "Selected Works," installed over two floors of the Schaulager and spilling out onto LED screens on the building's exterior, is the New York-based artist's most extensive exhibition to da…
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Steve McQueen
As its matter-of-fact name suggests (Schaulager is a "viewable storage area"), the main remit of this Basel institution is not to mount exhibitions but to facilitate informed study of its…
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Cevdet Erek
Cevdet Erek breaks time—and thus our experience of life—into units. Based in Istanbul, the young Turkish artist studied architecture, has a PhD in music and plays drums in an experimental rock band.…
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Banu Cennetoglu
How does the ordering impulse of art accommodate itself to the messy contingencies of reality? Banu Cennetoglu’s “products” at first appear as yet another critique of the machinations of the market…
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