Entering the nave of the Grand Palais’s gargantuan 1900 glass-and-steel exposition hall for Huang Yong Ping’s site-specific installation Empires, viewers confronted a clifflike, 56-by-197-foot wall…
In the early 1970s, art historian and critic Leo Steinberg wrote a series of short articles for ARTnews about works he believed were masterpieces, mainly ones from the Renaissance and Baroque…